– Reviewed as a group the context of the modal handbook for this modal.
– Discussed a detailed outline of what Site Specific Performance is. That it’s seen more as a piece of art rather than a performance.
– We walked into the city centre and verbally established the perimeter that we were to stick to when defining our performance spaces. Using the knowledge and information I was able to apply a widened view on spaces in the city that could become performances spaces.
IDEAS AFTER THIS SESSION:
. The Old Church – Centre of high street – Memorial for the lost soldiers – Empathy
. Cark Park – Levels – Hierarchy – Class – Three separate levels – Each decorated to represent a different class – Nostalgia/ Thinking point
. Old Council Building – Levels – More relevant to the hierarchy idea – Council – Implying control
. Old Market Place – Old story replays – Based on the factual research of that specific market place from years ago
. Brayford River – Being seen – Societies longing to be seen but also wanting privacy – audience to make their own perceptions
. Jack Wills Building – Old Wool Factory – The stories from within that building replayed?
. Speakers Corner – Old Memories for the older population – nostalgia – mesh with new generations
. Train Station – Forever changing audience – something repetitive, quick and easy to reflect
. Station Street – Old streets with character – fun to perform on
. St Marys Street – Old street with character – fun to perform on – word play using floor space.
. St Marys Conduit – Lincoln population’s water collection – The travels to the water – The giving of water – play with the idea of giving and receiving in modern day and age compared to then.
KEY WORDS
DIREVE – Drifting from one place to another – transition
KEY PRACTITIONERS
. BOB WOLLY and LEE MILLER
. GEORGE PERIKK
. JEREMY WOOD
. CHRISTIAN NOLD
. VITTO ACCONCINI
. SOPHIE CALLE
. JANET CARDIFF
. CARLOS CELDRAN
. MARCIA FARQUAR
. MIKE PEARSON
. GUY DEBORD
. RICHARD SERRA
. DANIEL BELASCO RODGERS
. NICK KAYE
. STEVE FOSSEY
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